With a colorful, glitzy, and seemingly lighthearted aesthetic, the works in Mika Rottenberg's exhibition touch on heavy topics such as sweatshop labor, the role of women in the workplace, the…

A few Miami artists have undertaken quiet but potent projects exploring—or perhaps even building—an archive of histories that have been disregarded or deliberately occluded.

All the maps tracking the virus, marking off neighborhoods and threatened areas, are also a reminder that Miami is a series of geographies, a compendium of zones that seem to flourish independently…

John Miller (b. 1954) is a quintessential 1990s artist. The ’90s aesthetic might be described as cerebralism disguised as effortlessness—pastiche-riddled fashion, indie culture occupying a space betwe…

The title of this exhibition pays homage to the 1997 book of the same name by Caribbean philosopher Édouard Glissant (1928-2011). Co-curators Tobias Ostrander and Tumelo Mosaka mobilized Glissant’s id…

Archimedes famously claimed that, given a lever and a place to stand, he could move the world. Documenting his walks around South Florida, Adler Guerrier fundamentally alters our sense of a location…

Locust Projects will soon relocate to a new space in Miami’s Design District. The slated demolition of the current building necessitated the move, but Locust’s revoked occupancy presented the opport…

Art Basel Miami Beach put the international art world spotlight on a free-form scene driven by street muralists. Can Wynwood and the Design District survive fashion retail and visitor throngs?

In a trio of installations (all 2010) at the Dorsch Gallery in Wynwood, Clifton Childree led us along a carnival midway of the past, celebrating oddities, eccentrics and showmen. The assembled envir…

The works in "Blind enough to see," Puerto Rican-born Ivelisse Jimenez's solo debut at Diana Lowenstein, explore the notion of empty space and our ideas of how this space might be filled, both psych…