Emily Watlington

In colorful still lives brimming with Surrealist motifs, nature is taking over.

Exhibitions at MOCA Los Angeles and Lisson Gallery, New York reveal the limits of Kline's doomsaying.

Nationwide, countless committees have fallen apart.

A subtle retort to my-kid-could-do-that dismissals of abstract painting, a new exhibition at the Palm Springs Art Museum shows how American abstraction involved rocket science, too.

His subject—American decline—is both timeless and timely.

"Teresita Fernández / Robert Smithson" is a two-person exhibition punctuated by both admiration and argument.

This year's Venice Biennale takes a something-for-everyone approach.

In "Day for Night: New American Realism," curator Massimiliano Gioni redefines Realism for the present.

He has dedicated his life to making artworks based on the parabola, a shape so ubiquitous that its magic is taken for granted

"The 17 stalls are like a book," the artist says. "You can't see all the sculptures at once. You have to open the door, or turn page."