Last year, artificial intelligence and its associated tools—Chat GPT-4, image-generators like Midjourney and DALL-E, and more—swept through the art world, leaving new creations in their wake, as well as a trail of destruction. This year has been an inflection point in the development of AI. Copyright lawsuits filed by artists are progressing through the courts, major institutions are commissioning or exhibiting AI works, new artists are using AI to critique or reflect contemporary society, and ever more advanced tools are heading to market. The bleeding edge of the future appears to be here.
Over the next two weeks, ARTnews will sort out the hype around AI from the reality, talking to artists, technologists, institutions, and market players about tech’s growing entwinement with the art world.

Curator Hans Ulrich Obrist on a Dynamic ‘Year of AI’ at Serpentine in London
The artistic director of London’s Serpentine Galleries discusses the recent evolution of AI-related art.
Andy Battaglia

AI Art Valuations Are Starting to Give Some Market Players an Edge
Companies are entering the market promising to use AI to help experts appraise artworks more quickly and accurately than ever before.
Daniel Cassady
Eight Essential Books About AI
Though book-length studies of artificial intelligence as it relates to visual culture remain thin on the ground, these volumes are useful primers.
Sonja Drimmer
AI-Generated Images Are Spreading Paranoia and Misinformation. Can Art Historians Help?
An art historian argues that provenance research—rather than connoisseurship—is our best tool for authentication.
Sonja Drimmer
