French Swiss artist Julian Charrière's mind-blowing visuals aren't just fireworks, they're a commentary on the state of the world.

A new lawsuit has shed light on a little-examined part of the art industry.

Felix Barber and András Szántó assembled a global database of some 370 immersive experiences to better understand what drives this nascent industry.

The Hall des Lumières in New York has quietly taken a "pause" on new art exhibitions this year.

Lighthouse Immersive's ticket sales for its new shows fell by 90% compared to its van Gogh exhibition.

The complex installations in "Fragile Future" induce a feeling of mystery and awe that is rare in today's art.

Janet Kraynak describes digitization's adverse effects on the art world, but doesn't reckon with the problems of the art world that made it vulnerable to these changes.

Alton Glass first got into VR when he was placed in a NASCAR simulation. “When they put me in the pit with these big cars driving by it blew me away,” the movie director, best known for Cru…

Today, virtual tourism is enabled by computer engineers. In the late eighteenth century, the task fell to painters.

Holography once seemed to present a new kind of bodily and pictorial space, a mode of communication that could unite a global humanity in a new sensorial community.